Gloves designed by Elsa Schiaparelli, autumn/winter 1936. Philadelphia Museum of Art.
Over at my new blog Fancies, I've pulled together a collection of items all inspired by the hand motif. While I was writing it, all I could think about was Schiaparelli. I'd seen some of her hand gloves in the Paris Haute Couture exhibition and they still looked suitably shocking, almost 80 years on.
Causse x Yazbukey via Colette
Really, this 2014 design, a collaboration between French glovemakers Cause and the designers Yazbukey just jazzes up her idea a little.
Another company I feature, Vivetta, have a love of the Surreal that screams Schiap, while the scarf makers SuTurno acknowledge their debt to the designer on their About page.
Evening belt, Elsa Schiaparelli, a/w 1934. The Metropolitan Museum of Art.
Schiaparelli first employed hand motifs eighty years ago, for her autumn/winter 1934 collection. According to the Metropolitan Museum of Art, she also used hand on a jacket, cape and handbag. Schiaparelli was moving in Surrealist circles and the hands, along with the rest of the body, were a key surrealist motif. The likes of Man Ray in his photographs and Meret Oppenheim's art objects also played with them in their work.
Elsa Schiaparelli 'Cocteau' evening jacket, a/w 1937. The Metropolitan Museum of Art.
This jacket from Schiaparelli's autumn/winter 1937 collection is a result of her collaboration with Jean Cocteau. Indeed, her association with the surrealists proved fruitful in many ways: think of her witty Shoe hat or the Lobster dress which resulted from working with Salvador Dali.
Elsa Schiaparelli brooch, a/w 1936. Via Or Not Magazine
As well as the gloves and the bags, Schiaparelli used hands motifs for jewellery too. This elaborately bedecked brooch was designed by Jean Schlumberger, Schiaparelli's jewellery designer, for the a/w 1936 collection.
Almost as well-accessorised is this contemporary hand brooch, this one designed by Lou Taylor.
Hand motifs also appeared in a/w 2014 collections from the likes of Holly Fulton, Osman, Opening Ceremony, Karen Walker and Carven. Perhaps - in reaction to all the 'normcore' chat - fashion is taking a turn for the surreal. now, wouldn't that be fun?