tag:blogger.com,1999:blog-1378056177484025175.post2925985286273937002..comments2024-03-19T10:22:01.093+00:00Comments on Last-Year Girl: The '10s, the '20s, the '30s: Inventive Clothes 1909-1939Last-Year Girlhttp://www.blogger.com/profile/13874476850659793403noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-1378056177484025175.post-41694457569532587822013-06-06T17:57:35.180+01:002013-06-06T17:57:35.180+01:00Thanks for your comment, it's fascinating. Obv...Thanks for your comment, it's fascinating. Obviously museums want to pull people in, and subsequently please them - leading to theatricality of display, but it's how far that idea of being 'commercial' can stretch, and - in the case of the influence of Vogue - in whose best interests. Last-Year Girlhttps://www.blogger.com/profile/05339517973272134452noreply@blogger.comtag:blogger.com,1999:blog-1378056177484025175.post-5749071065631425212013-06-05T21:22:54.950+01:002013-06-05T21:22:54.950+01:00Such an interesting post! I have that museum book...Such an interesting post! I have that museum booklet, and now will be rereading it.<br /><br />I never had the pleasure of seeing any of Vreeland's exhibitions, but it seems to me that her influence can still be seen in the Costume Institute "blockbusters." Of course the narrow focus of her life is missing, but all the theatricality remains.<br /><br />I find it more disturbing Lizziehttp://thevintagetraveler.wordpress.com/noreply@blogger.com